Historical Place Ethanology Museum Bhuj ( Guajrat )

Gujarat Patel Group  

Historical Place Ethanology Museum Bhuj ( Guajrat ) 

Ethnology Museum

Location Bhuj, Gujarat.
The Ethnology Museum is recommended for its rich collection of books and paintings of prominent Kachchhis. Mr Ramsinhji K. Rathod a scholar of the folk art of Kachchh and winner of many state Government awards has created an brilliant museum in Bhuj, which is called Bhartiya Sanskruti Darshan.

The Artifacts
The museum epitomizes the rustic life styles of the Kachchhi villager containing around 4500 exhibits. Also, there are more than 1500 uncommon books on art and culture. This museum has five major sections. In the Ethnological section, Sahitya Chitra, in the central hall can be found rare works of literature. In other sections are interesting artifacts such as leather embroidery, woodwork, woodcarvings, terra cotta, wall paintings, beadwork, stone carvings, musical instruments, knives and swords and silver work. Inside one of the huts, is the intricately designed "Kothala" (the treasury). In past, ornaments money, and other valuables of the royalty were kept in the "Kothala".  

Source :- http://www.onlytravelguide.com/gujarat/historical/

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{ Jayesh Patel }

(Live In :- Ahmedabad, Gandhinagar, Kalol, Mehsana, Visnagar,
Unjha, Sidhpur, Chanasma, Patan, Palanpur,)

Website :- https://sites.google.com/site/gayatrisolutiongroup/

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Historical Place Digvir Niwas Palace Vansada ( Guajrat )

Gujarat Patel Group  

Historical Place Digvir Niwas Palace Vansada ( Guajrat ) 

Digvir Niwas Palace Location : Vansada, Gujarat.
Built In : Early 20th Century.
Nearby Attraction : Gymkhana.

The Digvir Niwas Palace is one of the supreme examples of royal architecture in the early on 20th century. The approach the palace is through a gorgeous plaster decorated gate and the octagonal 'chhatris' on both sides of the entrance gate give it an imposing look. Architecture The Digvir Niwas Palace is a low profile linear building, with Ashlar stone masonary. All the openings are defined by white decorative plaster, creating an interplay of textures.

The entire façade has several architectural elements similar to carved balustrade, arches, brackets, pediments, columns, semi circular and octagonal verandahs, curved overhangs protecting windows with columns, semi circular and octagonal verandahs, curved overhangs- protecting windows with stained and coloured glass, with a steep sloping Mansard roof on the top arranged in a creative design scheme to create an appealing edifice. The setting of the palace building and the campus layout seem to have been inspired by British castles and French chateaux of the European aristocracy.

The Gymkhana A gymkhana building is located in the Digvir Niwas Palace compound. It is designed in the manner of the cricket pavilions of English counties having sloping roofs, wooden trusses and Mangalore tiles, creating an intimate and cozy building.  

Source :- http://www.onlytravelguide.com/gujarat/historical/

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Gayatri Solution Group

{ Jayesh Patel }

(Live In :- Ahmedabad, Gandhinagar, Kalol, Mehsana, Visnagar,
Unjha, Sidhpur, Chanasma, Patan, Palanpur,)

Website :- https://sites.google.com/site/gayatrisolutiongroup/

Blog :- http://gayatrisolutiongroup.blogspot.in/

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Historical Calioc Textiles Musium Ahmedabad ( Guajrat )

Gujarat Patel Group  

Historical Calioc Textiles Musium Ahmedabad ( Guajrat ) 

Calioc Textiles Musium Location : Ahmedabad, Gujarat.
Constructed In : 1949 AD.
Significance : One Of The Finest Textile Museums In The World.

The museum in its present, new setting creates a charming atmosphere, with courtyards, gardens, fountains, quiet passages and evocative settings created with the textiles themselves to show how they were used: religious textiles, cloth is used in royal court etc. This introduction is very well presented and offers an insight into the genius of Indian weavers and the skills and traditions associated with the ancient art. Textiles can be broadly divided into those fabricated from cotton, wool and silk. Of these, cotton and wool appear to have been used throughout Indian history, beginning from the time of the Harappan Civilization. Indigenous silk was produced by the tribes of the north-eastern states like Assam, and of the Bihar and Orissa regions.

These tusser and muga silks are still available in natural hues of gold, and each with their own distinct textures. There is a legend that a Buddhist monk brought a mulberry tree to India from China, where silk production was a closely guarded secret. There are numerous references in literature to silk garments throughout the medieval period. On a more significant scale, silk was introduced into south India during the reign of Tipu Sultan of Mysore, in the 17th century, through his 'French connection'. Any material, including textiles, cam be studied according to the techniques involved in their production. For fabrics, the first stage is the preparation of the yarn for weaving: the twirling and twisting (spinning), which provides the initial element of texture to the cloth. Handspun yarn, like that used an khadi (handspun and handwoven cloth), lends a delightful uneven texture to the cloth. The colours and dyeing techniques for yarn used are equally important.

The best example of these is ikat, in which the yarn is tied and dyed in two, three or four colours, so that when it is woven the designs 'assemble themselves' on the fabrics. The museum has some outstanding samples of ikat from Gujarat, referred to there as patola, in which both the wrap and weft threads carry 'colour coding', to create intricate, slightly fuzzy-edged motifs of elephants, flowers and birds. This artistic techniques is still practised today in Orissa, Andhra Pradesh and Gujarat.

The next step is the weaving, in the course of which wrap and weft interact to create sensitive combinations of colours, and an unbelievable variety of textiles. In this range we have elaborate brocades in which gold or silver and coloured thread are woven into the fabric to create special motifs and designs. To set a loom for weaving requires an in-built sense of harmony, mathematics and an uncanny sense of the forms to be created on a two-dimensional surface. Balushar saris, brocades, the textiles from Paithan in Maharashtra and Kanchipuram silks are some of the samples displayed here.

The artist not only had to consider technique and colour scheming, but also the functional value of the cloth, and how it would look when draped and worn. Weaving in silk, cotton, wool and sometimes a mixture of materials was mastered using simple horizontal and vertical looms. In the north-eastern states, the hip loom, or loin loom, is still common. Use was also made of the Jacquard loom and individual bobbins to introduce colours like gold in just the motifs of the fabric.

THEMATIC SECTIONS
The Museum has no less than five centuries of the finest fabrics spun, woven, printed and painted in different parts of India. It also has a collection of marble, sandstone and bronze icons and busts split in two thematic sections- gallery for religious textiles and historical textiles. There is also an excellent reference library on textiles.

AMAZING COLLECTION
Colourful embroidered wall hangings depicting Krishna legends hang from the second floor right down to ground level. Cloth decorated with tie-dye, glinting mirror work, screen prints, block prints and intricate embroidery include exquisite pieces made for the British and Portuguese and exported to Bali, while from India's royal households there's an embroidered tent and the robes of Shah Jahan, along with elaborate carpets and plump cushions that once furnished Muslim palaces.

THE FABULOUS PATOLA
The collection also includes some of the best examples anywhere of the Patola saris woven in Patan as well as the extravagant Zari work that gilds saris in heavy gold stitching and can bring their weight to almost nine kilos.

JAIN SECTION
The Jain section features statues housed in a replica Haveli Temple, along with centuries-old manuscripts and 'mandalas' painted on palm leaves; note the traditional symbols such as the snake and ladder motif representing rebirth and 'karma'.

STATE SPECIALTIES
Among exhibits from else where in India are Kashmiri shawls, Kullu embroidery, glittering silk brocades from Varanasi, folk art from the Punjab and masks and large wooden temple cars (processional vehicles) from Tamil Nadu. Tribal crafts such as Kachchhi silk and cotton 'mashru' weaving are displayed in spectacular wooden 'havelis' from Patna and Siddhpur in northern Gujarat. Clearly labelled models and diagrams explain the weaving, dyeing and embroidery processes.  

Source :- http://www.onlytravelguide.com/gujarat/historical/

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Published By :-

Gayatri Solution Group

{ Jayesh Patel }

(Live In :- Ahmedabad, Gandhinagar, Kalol, Mehsana, Visnagar,
Unjha, Sidhpur, Chanasma, Patan, Palanpur,)

Website :- https://sites.google.com/site/gayatrisolutiongroup/

Blog :- http://gayatrisolutiongroup.blogspot.in/

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Historical Place Bhujia Hill Fort ( Guajrat )

Gujarat Patel Group  

Historical Place Bhujia Hill Fort ( Guajrat ) 

Bhujia Hill Fort

At a short distance from Bhuj town is the hill fort of Bhujia, the top surrounded by a parapet wall of no great strength, entered by one gate, and enclosing an irregular area with a few scattered buildings. The fort was built by Rao Godji as a sort of out-work defense for Bhuj. It was completed during Maharao Desalji's reign when the hill was crowned with its Snake Temple and was fortified as a further aid to the defense of the capital.

Snake Domain
At one corner is a small square tower dedicated to 'Bhujang Nag' (snake) said to have been the brother of 'Shesh Nag'- Lord of the under world ('Patal'), who came from Than of Kathiawar and freed Kachchh from the oppression of demons known as 'daityas' and 'rakshasas'. To commemorate this event, an annual fair is held on the fort-hill on the Nag Panchami day (Shravan Sun 5, August).

ENTRY
Bhujia Hill fort is now under the jurisdiction of Indian Army. So it is strictly prohibited to enter in on any day except on the day of Nag Panchami fair.

Source :- http://www.onlytravelguide.com/gujarat/historical/

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Published By :-

Gayatri Solution Group

{ Jayesh Patel }

(Live In :- Ahmedabad, Gandhinagar, Kalol, Mehsana, Visnagar,
Unjha, Sidhpur, Chanasma, Patan, Palanpur,)

Website :- https://sites.google.com/site/gayatrisolutiongroup/

Blog :- http://gayatrisolutiongroup.blogspot.in/

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Gujarat Patel Group 

Gujarat Samachar News

કોમ્પ્યુટરના માઉસના શોધક ડગ્લાસનું ૮૮ વર્ષે નિધન

આજના ટચ સ્ક્રિન યુગમાં પણ માઉસ એક મહત્ત્વનું ગેઝેટ મનાય

તેઓ માનતા હતા કે કોમ્પ્યુટર ક્રાંતિ માનવીના માટે શ્રાપ નહીં આશીર્વાદ હોવી જોઈએ

વૉશિંગ્ટન, તા. ૪
આજના યુગમાં જે વ્યક્તિને કોમ્પ્યુટરની જાણકારી ન હોય તેને અભણ માનવામાં આવે છે. માનવ જીવનમાં કોમ્પ્યુટર એ એક અતિ મહત્ત્વનો સાથીદાર બની ગયો છે એવા કોમ્પ્યુટરના એક સાધન 'માઉસ'ના શોધક ડગ્લાસ એન્ગેલબાર્ટનું આજે ૮૮ વર્ષની વયે અવસાન થયું હતું.
આજના ટચ સ્ક્રિન યુગમાં પણ માઉસ એક મહત્ત્વનું ગેઝેટ મનાય છે એટલું જ નહીં હજી સુધી એ ઉપયોગમાં પણ છે. માઉસના શોધક ડગ્લાસને ખૂબ નાની વયથી જ કોમ્પ્યુટર પ્રત્યે ભારે આકર્ષણ હતું.
વાન્નેવર બુશની રચના 'એઝ વી મે થીન્ક'થી પ્રભાવિત થઈને ડગ્લાસે માનવ જાતિના લાભાર્થે આ ટેકનોલોજીનો ઉપયોગ કરવા નિર્ણય કર્યો છે. જો કે બુશની રચનામાં વિનાશકારી પ્રવૃત્તિઓ માટે ટેકનોલોજીના વધતા જતા ઉપયોગની વાત કરવામાં આવી હતી.
ડગ્લાસ કોમ્પ્યુટર ક્રાંતિથી વાકેફ હતા ૫૦ અને ૬૦ના દાયકમાં કોમ્પ્યુટરો ખૂબ મોટા હોવાથી મુશ્કેલીરૃપ હતા પરંતુ ડગ્લાસ તો દ્રષ્ટા હતા અને તેમણે માનવ જાતને કોમ્પ્યુટર કેવી રીતે ઉપયોગી ને એની તરકીબો શોધવા માંડી. તેઓ ઇલેક્ટ્રિકલ એન્જિનિયરીંગ ભણવા કેલિફોર્નિયા યુનિ.માં દાખલ થયા હતા અને ત્યાંથી એમએસસીની ડિગ્રી મેળવી હતી.

Source :-http://gujaratsamachar.com/

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Published By :-

Gayatri Solution Group

{ Jayesh Patel }

(Live In :- Ahmedabad, Gandhinagar, Kalol, Mehsana, Visnagar,
Unjha, Sidhpur, Chanasma, Patan, Palanpur,)

Website :- https://sites.google.com/site/gayatrisolutiongroup/

Blog :- http://gayatrisolutiongroup.blogspot.in/

Historical Place Bhadra Fort Ahmedabad ( Guajrat )

Gujarat Patel Group  

Historical Place Bhadra Fort Ahmedabad ( Guajrat ) 

Bhadra Fort (Ahmedabad ) The Bhadra Fort of Ahmedabad is another place to be visited in the city. The place is a venue for Republic Day and Independence Day celebrations in Ahmedabad. This fort of Ahmedabad fort has a temple devoted to the Mother Goddess, Bhadrakali; hence the name Bhadra Fort. Once housed royal palaces and beautiful gardens. It has the temple of Bhadrakali and was built in 1411 during the Maratha rule. The huge and grand Teen Darwaza (Triple Gateway) is another place to be seen in Ahmedabad. Teen Dar

Source :- http://www.onlytravelguide.com/gujarat/historical/

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Published By :-

Gayatri Solution Group

{ Jayesh Patel }

(Live In :- Ahmedabad, Gandhinagar, Kalol, Mehsana, Visnagar,
Unjha, Sidhpur, Chanasma, Patan, Palanpur,)

Website :- https://sites.google.com/site/gayatrisolutiongroup/

Blog :- http://gayatrisolutiongroup.blogspot.in/

Email :- inquiry.gsg@gmail.com

Historical Place Ashokan Rock Edicts Junagadh ( Guajrat )

Gujarat Patel Group

Historical Place Ashokan Rock Edicts Junagadh ( Guajrat ) 

Ashokan Rock Edicts (Junagadh)

Location : Junagadh, Gujarat.
Built By : Ashoka.
Contains : 14 Edicts
Issued By : Ashoka.

Ashoka's edicts, issued after his switch to Buddhism, were designed to bring about large-scale recognition of Buddhism. In pillar edict 6, he had mentioned that he started issuing these edicts 12 years after his coronation. Fourteen such edicts have been found near the edge of the Sudarshan Lake, about half a mile to the east of Junagadh. The inscriptions on these edicts are in the Prakrit dialect. The script used for these edicts used to vary with the need of the region, but was largely Brahmi or Kharoshthi. The Junagadh rocks cover all the 14 edicts that Ashoka had issued. They are in a western dialect, with many Magadhi words resembling Pali.

EDICTS ORDERS

The edicts record the following orders:

• Human beings shall not be sacrificed. Futile festivities and gatherings to be banned.
• Setting up of medical facilities for humans and animals
• Instructing government servants to perform their duties.
• Elaboration of edict 3.
• Dharma Mahamantris to enforce edicts.
• Unlimited access to the king for all subjects.
• All religions to live in harmony.
• No hunting or pleasure tours; tours being only for Dharma.
• Superstitious rituals being dismissed as trivial and meaningless.
• Saying no to corruption.
• Listing of the 'dharmic' (religi0ous) acts that produce great results; what one should do for friends, relatives, well-wishers.
• All sects to be honoured.
• Dharma is the most important thing in life.
• An epilogue of the preceding 13 edicts, it surveys their compositional features. These edicts, preserved in the Girnar hills, bear testimony to the benevolent attitude and activities of the emperor.  

Source :- http://www.onlytravelguide.com/gujarat/historical/

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Published By :-

Gayatri Solution Group

{ Jayesh Patel }

(Live In :- Ahmedabad, Gandhinagar, Kalol, Mehsana, Visnagar,
Unjha, Sidhpur, Chanasma, Patan, Palanpur,)

Website :- https://sites.google.com/site/gayatrisolutiongroup/

Blog :- http://gayatrisolutiongroup.blogspot.in/

Email :- inquiry.gsg@gmail.com